Sermon 2nd March 2025
“As Moses came down from the mountain with the two tablets of the covenant in his hand,
he did not know that the skin of his face shone
because he had been talking with God.” Exodus 34:29
“Now about eight days after these sayings Jesus took with him Peter and John and James,
and went up on the mountain to pray.
And while he was praying, the appearance of his face changed,
and his clothes became dazzling white.” Luke 9:28
Do you recognise these words? Locate their time and place?
“Current Guidance: We encourage people to wear face coverings in the building
(unless exempt), but the requirement to do so has now been lifted.
Some people will be more comfortable maintaining social distancing:
please be respectful of their choices.
Our arrangements are under review –
the Out of Lock Down working group will meet this week.
We will publicise any changes as promptly as possible, should the need arise.”
The St Columba’s intimation sheet three years ago.
Time of masks and direction arrows –
their faded outline, still visible on wooden floors,
ghostly reminder of strange days.
Today, seemingly barely believable – Did that really happen?
You will have your own COVID memories.
People had such differing experiences.
We went from livestreaming services in an empty church,
to gradual readmission of worshippers into the sanctuary – spaced and masked.
I was often asked: Did it feel lonely to conduct worship with a
musician and a technician and no one else?
To which I always answered:
That was easy – when people came back that was difficult!
(Which needs a little explaining):
When the church was empty there was never a sense that nothing was happening.
On the contrary, the leading of worship felt more important than ever –
and though the pews were empty, there was always a sense,
that in ways we couldn’t fathom,
we were connected and sharing something profound.
In contrast, the return of “live” worshippers was much more disconcerting:
A sprinkling of people – thinly spread – faces covered – unable to sing.
That felt much more disconnected.
It turns out, faces were/faces are important.
We shouldn’t be surprised:
A wedding couple choose lines from by Scots poet, Edwin Muir’s “The Confirmation”
to be included in their ceremony:
“Yes, yours my love, is the right human face,
I in my mind had waited for this long,
Seeing the false and searching for the true,
Then found you as a traveller finds a place
Of welcome suddenly amid the wrong
Valleys and rocks and twisting roads.”
Or today, a baptismal day; welcoming, celebrating, Winifred,
words that we sang together:
“The Lord bless you and keep you;
The Lord make his face to shine upon you…”
The presence of an infant, a fresh reminder of the wondrousness/the shiningness
of a human face;
a double delight: both to really look into the face of an infant;
but also, to behold a child looking at the world;
their curiosity and attention re-teaching jaded adult eyesight the G K Chesterton truth:
“The world will never starve for want of wonders; but only for want of wonder.”
Today’s focus on faces and accompanying masked musings,
prompted by scripture; serving up two notable faces,
masked and revealed; revealed and masked.
The link appears to be mountains and faces.
Moses at Mount Sinai (receiving the Commandments)
then returning to the children of Israel with a face all aglow.
Mask on, mask off.
Then Jesus echoing much of Moses’ experience:
Taking the high road, clues and symbol abound –
mountain, dazzling light, glowing countenance –
The presence and commendation of Moses and Elijah –
dignitaries, representing the Law and the Prophets.
Lest we be in any doubt: A cloud descending – very presence of God;
and that Voice: “This is my Son, the Chosen. Listen to him!”
Luke’s account really starts:
“Now about eight days after these sayings…”
Which sayings?
“Who do you say that I am?” asks Jesus. “The Christ” trumpets Peter.
But to Crown, Jesus responds, Cross.
“The Son of Man must undergo great suffering, be rejected…be killed
and on the third day be raised.”
…
“If any want to become my followers, let them deny themselves
and take up their cross daily and follow me.”
Eight days later the great witnesses, Moses and Elijah talk with Jesus;
“speaking of his departure, which he was about to accomplish at Jerusalem.”
Our translation is departure; but the word Luke uses is exodus –
a profound, loaded word, for those shaped
by Israel’s long walk to freedom, out of Egypt’s chains.
Luke uses exodus both in the sense of journey and more profoundly, death.
The Transfiguration/the Big Reveal is an assurance,
before the end, about the end.
A glimpse, a confidence, a provision for the way, –
something to feed on when the going gets tough.
Perhaps it is Jesus who most needs to comprehend the confirmation.
Given the journey ahead, he will need all the affirmation of purpose he can get.
The Transfiguration representsa recognition/commendation of his true self –
chosen and beloved of the Father.
And for disciples, something in time,
that will defy the apparent meaninglessness
of Jesus’ vicious, filthy, tortured passing.
His exodus, not a dead end, but gateway to a Promised Land.
Peter, patron saint of the foot in mouth comment,
makes the mistake of wanting to tabernacle the moment,
harness the holy, contain/perpetuate it for posterity.
The sight of Jesus striding down the hill, educates him swiftly,
to what Jesus thinks of that idea.
Neither the rabbi, nor Gd, appear much concerned with permanent mountaintop real estate.
What happened next?”
All three Synoptic Gospels (Matthew, Mark and Luke) tell the story of the Transfiguration –
and all three conclude the story with the healing of a “demon-possessed” boy,
down in the valley.
In the Vatican Museum, the last painting of the Renaissance artist, Raphael
depicts this gospel account; entitled The Transfiguration of Christ,
it divides in two parts.
The upper, bathed in light, portrays the events on the mountain-top;
Peter, John and James witness Christ in glory.
But, scrolling down to the people at the foot of the hill,
one becomes aware of a darker scene;
a jostling crowd, and a boy with agitated features, looking up to the Risen Christ.
His father seeks help; the other nine disciples are there,
some arguing with the scribes, as others look on.
Layered as it is, it is a single piece – its unity, an amalgam or fusion,
conveying a difficult truth.
The Christ story will not be neatly segmented –
beauty and order and light in one domain –
life’s difficulties – illness, intolerance, anger, disappointment,
somehow exiled to a lesser, non-sacred category.
Artist and the gospel author, weave the two together –
the glory and the grey, certainties and doubt, vision and gloom,
hope and despair, belief and unbelief.
Mountain “God” moments may come, unanticipated, gifted –
but more reliably, Christ is to be found in the valley,
amidst the sorrows and beauties of everyday, messy, imperfect human life.
Debie Thomas highlights the danger of “God on the mountaintop” Christianity:
“As if God is somehow more present during a rousing choral anthem,
a stirring sermon, or a silent retreat in a seaside monastery,
than God is when I’m doing the laundry, buying my groceries,
or sitting in bumper-to-bumper traffic.
Desperate for the mountain, we miss the God of the valley,
the conference room, the pharmacy, the school yard.”
Peter eventually learns that the compassionate heart of God
is most powerfully revealed amidst the lost and the lonely;
shines most brightly against the backdrop of the parent who grieves,
the child who cries, the “demons” who oppress,
and the disciples who try but fail to manufacture the holy
So, with Peter, John and James, after our worship together,
we are invited back to the world,
imperfect and flawed, complex and complicated;
there to seek and serve the face of Christ:
Found “…. as a traveller finds a place
Of welcome suddenly amid the wrong
Valleys and rocks and twisting roads.”
Or as another poet penned:
“… for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.”
(As Kingfishers Catch Fire, Gerard manly Hopkins)
Sermon 9th March 2025
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Sermon 23rd March 2025
Sermon 30th March 2025
ST COLUMBA’S, PONT STREET
SUNDAY 30th MARCH 2025,
4th SUNDAY OF LENT & MOTHERING SUNDAY
“There was a man who had two sons.” Luke 15:11
A poem entitled, The Parent’s farewell:
[The Geese Flew Over my Heart (Lyn McCrave)]
A fragment of dialogue, between youth setting out, and parental remaining:
“I always seem to be saying goodbye,
Packing your boat, launching you out
Into the deep.
Then I stand and wait for your wave,
that smile that says
“Here I go; stay there.
Be my harbour.”
Leaving home, letting go, escaping or setting free;
independence, defiance, departure, homecoming, slipway and harbour.
Suitable themes for a sabbath that coincides Mothering Sunday
and the Gospel parable of Parent and Sons.
And lest we fret at the thought of sermon on fathers and sons,
on a day for celebrating the role of mothering –
whether in families, Church, or the numerous other ways it can be dispensed –
let us remind ourselves God is beyond gender,
and the Scriptures are quite capable of offering feminine images:
“As a mother comforts her child, so will I [God] comfort you;
and you will be comforted over Jerusalem.” (Isaiah 66:13).
Or as Jesus said over that same city:
“Jerusalem, Jerusalem, you who kill the prophets and stone those sent to you,
how often I have longed to gather your children together,
as a hen gathers her chicks under her wings,
and you were not willing.” (Matthew 23:37; Luke 13:34)
The late Henri Nouwen, Dutch Roman Catholic priest, writer and theologian
authored “The Return of the Prodigal Son”.
It offers an extended reflection on the Rembrandt picture
housed in the Hermitage Museum in St Petersburg. (Check out this week’s Newsletter).
The picture depicts the moment the prodigal son returns
and is embraced by the father –
while the elder brother watches from the shadows.
One of Nouwen’s observations is that one of the hands of the father
can be interpreted as being more feminine, showing God our Mother,
as well as God our Father.
A church friend sent me this week – a quote found in a family prayer book:
“God couldn’t be everywhere, so invented Mothers”.
However you hear/feel about that suggestion, it might be helpful to consider:
“Language about God should help us to understand and encounter God,
but we should not confuse the reality of God with the limits of our language.”
Theologian Lynn Japinga: (Feminism and Christianity: An Essential Guide, Abingdon: 1999, p. 64)
“There was a parent who had two sons.”
In quick time, the youngest son turns his back on family,
forsakes the familiarity of his homeland, loses sight of his religious heritage.
Despite the insult, the father gives what the son demands.
Though painful, perhaps the father knows
you can’t return home, without leaving first.
In honesty, we tend to resonate with the elder son; his resentments mirror our own.
Elder brother has been responsible, behaved well,
prudently kept his inheritance secure.
Meanwhile little brother has been profligate,
enjoyed it and is “punished” with the party of the year!
Isn’t elder brother entitled to reprimand his Dad for being … weak?
Why does Jesus tell this story which seems to have an unfairness, injustice at its heart?
The Gospels leave little doubt,
that Jesus made a lot of enemies in a short time.
Broadly speaking, his detractors fell into two categories —
the politically powerful of Rome,
who executed him as a subversive enemy of the state,
and the religiously self-righteous, who are the subject of Luke 15 this week.
Jesus’ trouble is of his own making, hanging out with the wrong crowd.
“… there were many sinful people who followed him.”
This entourage of moral outcasts feel safe with Jesus; sheltered, not judged.
In a society of religious food laws,
Jesus is unfussy about what is placed before him;
and unfussy about who shares the feast.
Hence the grumbling:
Does this Jesus – a drunk and a glutton – not know who these people are?
Does he condone their messed-up lives?
The elder brothers saw and were appalled.
“So he told them this parable.”
Actually, he told them three:
One about a lost sheep, one about a lost coin and one about a lost son –
or one might suggest – two lost sons.
The abrasive truth is that this most beloved of all tales,
the Parable of the Prodigal Son – the gospel within the gospel –
is a story aimed at the enemies of Jesus.
The son who finds his way home, and the Father running to meet him,
is actually a challenge to the religiously respectable, with their mutterings:
“This fellow welcomes sinners and eats with them.”
The poignancy of the story – somewhere along the way,
despite his proximity to the father,
the dutiful, loyal, elder son has become just as lost as his tearaway sibling.
The elder brother has reduced the green pastures of home to scorched earth –
a barren land of score-keeping, bereft of gratitude, forgiveness or mirth.
In differing ways, both sons squander their inheritance –
one recklessly over-spending, the other joylessly withholding.
The Brazilian bishop, Heler Camara:
“I pray incessantly for the conversion of the prodigal son’s elder brother.
Ever in my ears the dread warning:
One has awoken from his life of sin.
When will the other awake from his virtue?”
The elder brother is the warning to all of us
when we presume to constrict our vision of who God is interested in;
when we presume – it is us who decides who gets to come home.
We began with the poem, The Parent’s Farewell:
hen I stand and wait for your wave,
that smile that says
“Here I go; stay there.
Be my harbour.”
Echo of the perhaps better-known, C Day-Lewis poem, Walking Away,
The remembering of a scene played out on a school sports field,
between father and son.
It is eighteen years ago, almost to the day –A sunny day with leaves just turning,The touch-lines new-ruled – since I watched you playYour first game of football, then, like a satelliteWrenched from its orbit, go drifting away
Behind a scatter of boys.
… … …
I have had worse partings, but none that soGnaws at my mind still. Perhaps it is roughlySaying what God alone could perfectly show –How selfhood begins with a walking away,And love is proved in the letting go.